Aboard the sinking ship,
the piano is playing
a funeral march,
an army of violins, all
out of tune,
is taking prisoners on deck.
Only the cello
murmurs its dissent,
while the drums
thunder and crash
down the stairs,
to where the ship’s engineer
lies motionless
under the swaying
chandeliers,
pinned to the floorboards,
by such strange music.
The chief navigator,
having found his bearings
in the linen room,
is swigging champagne
with a chambermaid.
The composer, in fitful sleep,
is still composing his concerto
for ninety-nine penguins.
The loudspeakers
on the beach, repeat
that the sun is shining.
The audience, as ever,
goes on rearranging
the deck chairs,
while complimentary tickets
are being distributed by the wind
to the choir of lost fish –
who’ll be the only ones
to attend the next performance
beneath the waves.
- Eduard Burle